Space Aventure Films

2001 (A)

 

STARS...
Keir Dullea
, William Sylvester, Gary Lockwood, Daniel Richter, Leonard Rossiter

PLOT SUMMARY...
A strange artifact is found on the moon, leading to a space trip to Jupiter.

QUICK SCAN...
This film could be compared to "2010". All these years later, the film still has a great look, particularly in space and on the Jupiter bound spaceship. The FX, involving an astronaut's trip through a "star gate", are dazzling, and a highlight of the movie.

DIRECTOR: Stanley Kubrick
YEAR & RATING:
1968 (G)

BEST BETS:

2010

Rocketship X-M

SYNOPSIS...
On prehistoric Earth, ape-like premen make contact with a mysterious black slab. Several million years later, an identical object is found on the moon. When it beams a mysterious radio signal toward Jupiter, a team of astronauts is sent there on a mission to investigate.

On the way to Jupiter the ship computer goes berserk, first killing a space-walking astronaut, and then others who are hibernating in cryogenic cocoons. The lone surviving astronaut deactivates Hal.

In Jupiter orbit, the astronaut investigates a huge black slab. After being taken on a light trip, he arrives in an antique-filled apartment. In short order he ages, dies, and is reborn as a "star baby", floating in space.


2001 - Review:

Although made almost thirty years ago, 2001, Directed by Stanley Kubrick, from a Screenplay by Kubrick and Arthur C. Clarke, remains one of the best examples of quality Sci-Fi filmmaking ever made. Critics talk about this one and praise it non-stop, especially the confusing / hallucinatory ending. Although "Star Wars" and its two sequels may be more exciting, and certainly faster paced, you'd be hard pressed to call them better films than 2001.

In the film's classic "Dawn of Man" opening scene, we get a very realistic look at man's pre-Homo Sapiens ape ancestors. Following the appearance of a mysterious black object, (which resembles a contemporary TV remote control), and an ape touching of it, the ape kills a rival with a foreign object, an animals jaw bone. Watching it, you feel yourself present at a crucial moment in pre-man's history. This is my favorite scene in the film.

Soon we're in space, in 2001, on a Pan Am spaceship. The space plane is headed for the vast, still uncompleted, orbiting space station. Aboard is William Sylvester ("Gorgo", "Devil Doll"), playing a government man, sent to investigate when a similar mysterious black object is found on the moon. Soon, he hops the spherical Aries shuttle, heading for the Clavius base on the moon. The scenes in space, aboard the space vehicles and on the moon, (which wouldn't be visited for real, for another year), are totally realistic!

When Sylvester visits the black object on the moon, it emits a shrieking signal, in the direction of Jupiter. Soon the phallic shape of deep space probe, Discovery, is sent out to investigate... Keir Dullea (also in "2010"), and Gary Lockwood ,("Survivor Zone"), play the chief astronauts. Their haircuts and general features suggest they could be brothers, and they have equally mild, bland personalities. Their talking robot, Hal 9000, (the voice of human Douglas Rain), seems more human than them, which may be is one of the film's points.

When Hal goes berserk, killing the hibernating crew men, as well as Lockwood's astronaut character, Keir Dullea's character escapes in a space pod, going on a weird black object enduced trip, which results in his aging, death, and rebirth as a "Star Child", a new kind of human as near as can be determined. For those who favor the mystical, the film's 60's "light trip" conclusion is a source of great satisfaction. For those who favor linear story telling, the ending is irritating and long.

The films mind blowing Special Effects were created by Director Kubrick, with Douglas Trumbull, who went on to make such Sci-Fi films as "Silent Running" and "Brainstorm". Much new technology had to be invented to create the effects, an approach echoed later by Lucas and company with "Star Wars".

The use of classical Music, principally that of Richard and Johann Strauss, as a musical counterpoint to the space scenes, was considered revolutionary at the time. And in an era of the overly robust, contemporary, instrumental Music behind many Sci-Fi epics, the choice of classical is still refreshing.

2001 should be watchable for most Sci-Fi fans, except those who like strong characterizations, and concrete endings. For double feature fans, 2001 and 2010 are a great double bill. 

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