Review:
Director Robert Altman's COUNTDOWN is an involving, highly realistic
fictional account of the first man to land on the moon.
James Caan ("Rollerball"), Robert Duvall ("THX-1138"),
and Michael Murphy ("Brewster McCloud"), are three Apollo
astronauts, taking part in simulated moon landings as practiced for
the first Apollo landing on the moon. When the Russians surprise the
world by putting cosmonauts in orbit around the moon, their plan to
land men on the moon shortly, NASA flys into action.
Duvall, as Chiz, the most senior astronaut, meets with Caan and Murphy
to explain NASA's plan. NASA will put into action an emergency backup
plan. As Duvall explains it to Caan and Murphy, "We're gonna
send a man to the moon; One man all the way." Duvall will be
at the controls, in a modified Gemini, "...on an upgraded Saturn,
with a new third stage and a new landing stage, for one man. Twice
the space, twice the life support." The plan is for Duvall, after
landing, to live in a previously launched shelter on the lunar surface.
After waiting ten months to a year, the Apollo moon mission will arrive
and he'll hitch a ride home with them. Caan and Murphy are skeptical
about the plan. Murphy comments, "Who thought it up? An LSD research
team?"
When the Russians reveal that their three cosmonauts orbiting the
moon are civilians, Duvall, a military man, is scrubbed from the one
man, moon landing mission. James Caan is picked instead, because he's
the second most prepared astronaut, and a civilian. Although Duvall
reluctantly agrees to help coach Caan for his moon landing, there's
plenty of friction between these two. Aristotle, in his "Poetics",
said drama is conflict. Old Ari would have gotten a kick out of COUNTDOWN.
When Duvall intentionally overworks Caan by putting him through three
moon flight simulations in two days, Caan, feeling the pressure, aborts
one of the simulated moon missions, looking bad in the process. Caan,
set up to fail by Duvall, lays into him declaring, "You couldn't
make this mission, Chiz. You got the guts but you haven't got the
brains!" Effectively steered by Director Altman, and aided greatly
by a powerful Screenplay, by Loring Mandel, (based on the novel by
Hank Searls), Caan and Duvall make memorable screen adversaries.
The Music, Composed and Conducted by Leonard Rosenman, is stirring
and intense. It's particularly effective late in the movie, when Caan
explores the lunar surface in desperate search of his survival shelter.
My favorite scene takes place on the moon, when Caan encounters the
three Russian cosmonauts and their spaceship. Art Director, Dick Poplin,
and Director of Photography, William W. Spencer, work movie magic
to make this a high impact Sci-Fi scene.
Director Altman delivers a fascinating, documentary-style look at
man's first step onto another planet. Apparently made with NASA's
full cooperation, (its insignia is everywhere), the under appreciated,
(and little known), COUNTDOWN, released in 1968, delivers one of the
most realistic accounts of man's journey into space ever committed
to film. But, 1968 was also the year "2001: A Space Odyssey"
came out. And then, in 1969, Neil Armstrong walked on the moon for
real, and COUNTDOWN kind of got lost in the shuffle.
Joanna Moore and Barbara Baxley deliver solid support as Caan and
Duvall's wives, respectively. Of the other performers, Charles Aidman
is effective as a NASA official concerned about the risks involved
in Caan's mission. And it's fun to see Ted Knight, in his pre "Mary
Tyler Moore" days, as a slightly pompous NASA media spokesman.
COUNTDOWN will be watchable for Sci-Fi fans who like their space drama,
believable, and their human drama, powerful. COUNTDOWN really blasts
off and delivers the Sci-Fi entertainment.
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