Alligator (B) |
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STARS...
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DIRECTOR: Lewis Teague
BEST BETS: |
SYNOPSIS... A little girl's Dad flushes a baby alligator down a toilet. Twelve years later, a giant alligator, living in the sewers, begins to feast on people. A veteran homicide cop investigates. The body parts ,of more and more human victims, keep popping up in the city's sewage treatment plant. When a missing tabloid reporter's camera reveals shots of a huge alligator, the homicide cop teams up with a pretty reptile expert to resolve the gator problem. A big game hunter is eaten alive by the alligator. The cop plants a large bomb in the sewer, blowing up the super gator. |
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Review: Director Lewis Teague's, ALLIGATOR, is a well made "Jaws" ripoff, with some Sci-Fi flavorings. At the start of the film, in 1968, a small girl gets a pet alligator in Florida. Later, back home, her dad flushes the little gator down the toilet during an argument. Twelve years later, a giant alligator goes on a rampage, using the city's sewers as its home base. Robert Forester ("Banyon", "The Black Hole") is sympathetic as a weary homicide cop with a receding hairline and a boss who doesn't believe a giant gator is on the loose, despite the mounting evidence. Forester has unique looks, which improbably remind one of both John Garfield and Paul Newman. Under Teague's astute Direction, his character becomes a three dimensional guy, not just a blank super hero. Robin Riker ("Brothers") is quite good as a reptile expert who becomes involved with Forester during the giant gator investigation. Her red hair and wide eyes help to make her a vivid screen presence. John Sayles' Screenplay, (from a Story by John Sayles and Frank Ray Perilli), has some sly humor in it. A sewer worker, missing and presumed dead, is named "Ed Norton", which was the name of Art Carney's sewer worker character, on TV's "The Honeymooners". Director of Photography, Joseph Mangine, does fine work here. His gator, P.O.V. shots are particularly good. Fun is had with a running gag involving people making comments/giving advice concerning Forester's balding head. After making love, Riker plays with his balding locks. Forester tells her testily, "Look it: I'm fighting male pattern baldness. I'm a little sensitive on the subject, and I hope you don't mention it again." This is my favorite scene. Considering how vain most actors are, Forester was a good sport to go along with this subplot. The Music, composed by Craig Hundley, is pretty mediocre. It's the only aspect of the film that appears to have been "phoned in", so to speak. ALLIGATOR should be fairly watchable for most Sci-Fi viewers. Monster on the loose fans will get their money's worth. |
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