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STARS...
Edmund Gwenn, James
Arness, James Whitmore,
Joan Weldon, Onslow Stevens, and Fess Parker.
PLOT SUMMARY...
Atomic tests produce huge, mutant ants that threaten New Mexico
and California.
QUICK SCAN...
This film brings to mind, "Tarantula". James Arness
(Gunsmoke) is solid as an F.B.I. agent, investigating strange deaths
in the desert. The crisp black and white photography, by Sid Hickox,
helps sell the credibility of the far fetched story premise.

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DIRECTOR: Gordon Douglas
YEAR & RATING: 1954 (NR)
BEST BETS:
Food of the Gods
Tarantula
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SYNOPSIS...
When a little girl is found in the desert, the cops determine that her
parents are missing, their trailer wrecked. Soon, an old man and a cop
are killed mysteriously.
When an FBI agent investigates, a Washington bug expert arrives. He
determines that the prints left behind are that of a giant ant, apparently
enlarged by nuclear radiation.
Soon, queen ants fly off and make a nest in Los Angeles' sewer system.
Arness and military men fight the giant ants with flame throwers and
machine guns, eliminating the huge pests. |
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Review:
Director Gordon Douglas' THEM, is definitely one of the better giant
insect movies of the fifties. The Screenplay, by Ted Sherdeman, is
lean and tight, even keeping the obligatory 1950's romantic subplot
to a minimum.
When a little girl is found wandering alone in the New Mexico desert,
local cop James Whitmore ("Shawshank Redemption") investigates.
The parent's trailer is found destroyed, her parents missing.
Soon, an old man, as well as Whitmore's partner, are killed by a mysterious
assailant. When the autopsy is done on "Gramps," the local
doctor announces that he had "...enough formic acid in him to
kill twenty men." FBI guy, James Arness, is called in. Considering
he was playing the title role in "The Thing", only three
years before, Jim "Gunsmoke" Arness was definitely moving
up in the world with this role.
When Arness sends a strange footprint back to Washington, insect expert
Edmund Gwenn ("Miracle on 34th Street") shows up by return
mail. Before long, Gwenn declares that the killings have been done
by giant ants, mutated as the result of atomic testing. The fact that
a scene like this is credible is much to the credit of actor Gwenn
and Director Douglas.
My favorite scenes in the film are set in the L.A. river channel.
Although much used by TV and film over the years, it's rarely been
turned into such a fascinating environment, with many military vehicles
and soldiers bustling about.
TV fans will get a kick out of seeing Fess Parker in a brief scene
as a pilot who mistook flying ants for UFO's. Little did Parker realize
that "Davy Crockett" TV fame loomed on the horizon.
The crisp black and white Photography, and clever camera angles are
by Sid Hickox. The choice of black and white, frequently used in the
fifties, helps heighten the drama and credibility of the story. The
Music, by Bronislau Kaper, effectively underscores the tense action.
The giant ants are kept away from full view for sometime, which is
fortunate. When you do seem them clearly, they're not that great by
today's standards, but were probably state-of-the-art for the time.
THEM should be watchable for most Sci-Fi fans, except for those driven
buggie by giant bug movies. If you have a taste for giant insects,
THEM should make a satisfying film feast indeed.
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